Waves SSL 4000 Collection
SSL 4000 E-Channel SSL 4000 G-Channel
1. Introduction
The unique sound of Solid State Logic’s 4000 Series analogue mixing consoles is sought after
worldwide. Engineers of pop and rock music, broadcast transmissions and television post-
production value the SSL 4000’s flexible dynamics chain as much as the trademark SSL
“punchy” sound. Waves and SSL engineers have worked together for over a year to recreate the
sound characteristics of the classic SSL 4000 Series E and Series G consoles. Now, those who
“mix in the box” can achieve the sound they thought they’d lost when they moved to the digital
world.
The SL4000 console was the first mixing desk to incorporate dynamics processing into every
channel, as well as a master bus compressor in the console’s center section. The ability to
'patch' into the SL4000's master bus compressor and to control its sidechain from an internal
sub-mix allowed sound engineers to discover unique, history-making applications of this console
technology. Whether used to record instruments such as piano and drums or for final mixing,
these innovative console sections - master bus compressor, EQ and dynamics - opened up a
Big size of image:
Please install Flash player from http://get.adobe.com/flashplayer/!
SSL Plugins Extra 10% off at Waves - How to use waves SSL Lets take a few mins to get guided around the SSL channel strip. Download my free eBook Become my Patron http://www.patreon.com/recordingrevolution. The Waves SSL 4000 Collection is the result of a partnership between Waves Audio and Solid State Logic. These processors faithfully recreate the same EQ and dynamics characteristics which made legendary the SL4000 consoles. Plus, the interface accurately reflects the classic SSL console.


On the other hand, the Waves G-Channel comes as accurate emulation of the groundbreaking SSL 4000G console. It differs from the e-series in that its Q is variable depending on the level of gain or attenuation. Again, it can handle intense application and offers the ability to reconfigure sound both tonally and frequency wise.